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Rappler, a major Philippines online news site, investigates and uncovers countless government-sanctioned murders under President Rodrigo Duterte

Synopsis

Film description: Nowhere is the erosion of democracy and the power of social media in politics more evident than in the Philippines. When elected president in 2016, Rodrigo Duterte promised violence with a declared “war on drugs.” We join the prominent journalist Maria Ressa and her publication Rappler as they investigate thousands of government-sanctioned murders of primarily poor people accused of using or selling drugs. To suppress reporting on his mounting abuses, Duterte unleashes a powerful disinformation campaign on social media, targeting journalists with arrests, and violent threats. In this searing film, we follow Ressa and her fearless team as they risk their own freedom in defence of truth and democracy.

"A Thousand Cuts is both a chilling tale of a leader’s gross misuse of power, and an uplifting story about courageous journalism and how it can inspire people to action." - Carlos H. Conde, senior researcher, Asia Division, Human Rights Watch

 

Watch at your own pace from March 18-26, or watch along with us: 

Saturday, March 20

  • 12:15 PM GMT  – Start watching the film on Barbican Cinema on Demand. 
  • 2:00 PM GMT – Join us for a live Q&A online. Free with RSVP.

 

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Credits

Ramona S. Diaz

Director / Writer / Co Editor / Producer

Ramona S. Diaz is an award-winning Asian American filmmaker whose films have screened at Sundance, the Berlinale, Tribeca, the Viennale, IDFA, and many other top-tier film festivals. All of Ramona's feature-length films—Imelda (2004), The Learning (2011), Don’t Stop Believin’: Everyman’s Journey (2012) and her latest film, Motherland (2017)—have been broadcast on PBS, on either the POV or Independent Lens series. Motherland won an award at the 2017 Sundance Film Festival and had its international premiere at the 67th Berlin International Film Festival. It was nominated for an Independent Spirit Award for best Documentary, a Peabody Award, and a Gaward Urian Award from the Filipino Film Critics.